Offline Editing

Youtube. We all love to have a laugh with ‘keyboard cat’ every now and then, but what would your clients think of low-res, poorly edited footage with cheesy graphics and wipes? We can deliver that professional look and tempo that only comes with editing experience. By combining our state of the art editing suites with our talented team of editors, we can ensure your project is both creatively satisfying, as well as technically sound. Our team is as comfortable with long term projects as we are with small projects with quick turnarounds and tight deadlines.

Our Avid Media Composer suites provide real time productivity. All creative and corrective tools are capable of working in both offline and online resolutions. There are real-time customised 2D and 3D effects, colour effects, real-time dual stream colour corrections, keying and compositing, with intra-frame editing tools that will give you a host of effects.  Did we mention real-time?

Online Editing

So you've just spent three weeks whittling down those hours and hours of footage into a completed job... Hold on there, Bucko, you're not done yet. After you're offline edit is done you get to move into online, where we conform (pull in all your material at the highest possible quality), colour correct (you know, if your shots look different now they're smacked together), and finish (add in all of the wonderful 3D/motion graphics/visual effects The Post Lounge have made for you).

The Post Lounge is fully equipped to handle all of your requirements for conforming and finishing your job at the highest possible quality, which says a lot considering how fast the technology changes these days. If realtime, uncompressed 10bit RGB 2K means anything to you, rest assured that we have you covered. If that doesn't mean much to you, then come in and have a chat with us - we're more than happy to let you experience the difference first hand!

R3D, P2, XDCam, and of course the more traditional film and tape formats, can all be pulled in to our finishing suites to give your job the perfect final touches. Regardless of budget, we have a custom solution to perfectly fit your job. Our Avid and Final Cut Pro offline suites are fully capable of switching to uncompressed HD. For longform onlines, you might consider using either our Nucoda or Smoke finishing suites. Alternatively, if you have a visual effects heavy TVC, the best option will probably be our Flint or Flame compositing suites. And of course, we can mix-and-match any of these suites to best suit your job.